Indre previously stated that, “you have to be honest on what touches you and what you believe in” and this perfectly captures her sincere approach. Across mediums such as photography, sculpture and textiles, she finds beauty in sombre themes such as memory, trauma and loss. Her work has been met with critical acclaim in publications such as the New York Times, Artnet and Wallpaper.
Duncan Campbell and Charlotte Rey are a creative consultancy and design partnership with an edge. Over the past few years, the Swedish-Scottish duo have successfully inspired, innovated and surprised us in pursuit of beauty and elegance. They met whilst editing the biannual in-house publication Acne Paper published by the Swedish brand and have since worked together across the fields of creative direction, branding, curation and design.
British artist Richie Culver and I first met at his Bayswater studio, with the gentle thud of techno music reminding me that he’d recently returned from a tough couple of years in Berlin. A few years later, we're still in West London, but at his Kensal Rise space alongside Tim Noble and Sue Webster. I was met at the door by a soft-spoken Yorkshireman with arms decorated with the names of past lovers and dead friends.
As ever, Louis' work caught my eye on Instagram. I was captivated by the intimacy, and decorative nature of his portraits of fellow artists, models and musicians as well as people brought in from the streets of Paris. Across his oeuvre, Louis uses plants and flowers to celebrate the characters of his subjects. His studio is filled with paintings as well as collections of books, herbal tea and dried flowers, which are organised by colour and texture.
Photographer Kate Bellm is based between Mexico and Mallorca where she lives off-grid in the mountains. We were introduced by Lucinda Bellm, founder of Lamb Arts, during her psychedelic Night Sky Rising exhibition. The space's walls were lined with hypnotic landscapes and empowering nudes entwined with Kate's keepsakes. Of course, her photographs are wildly beautiful, but it's her surreal manipulation of colour and texture that makes you feel as if you're walking in a dream.
Italian-Irish artist Romana Londi and I met during the group exhibition Skinscapes curated by Tatiana Cheneviere and Guilia Vandelli at Unit 1 Gallery Workshop. We gave a talk with artist Camilla Emson on the importance of touch, and I visited her studio in preparation for it. Initially my interest lay in the involvement of her practice with technology and the way in which she plays with your senses.
American artist Grear Patterson is based in the Bronx, New York. We first met at his solo exhibition True Romance at Marlborough Contemporary, where he attracted a broad spectrum of creatives and collectors from Mayfair to Hackney. Grear’s mixed-media works are known for their recurring motifs and exploring pop-culture. Despite being featured in publications like GQ and Vogue, there is no further evidence of Grear having a social media presence or even a website.
A studio visit with Faye in South London is a transcendental experience. The painter glided around her space, making herbal tea in the Japanese tea set she’d just brought from Tokyo. It felt like entering a Parisian salon with kimonos draped over a piano, and her unique collection of seashells and old postcards scattered everywhere. Quite simply, it was like walking in a dream.