Posts in "art"
A Review of Margherita Stein: Rebel With a Cause at Magazzino Italian Art, Cold Spring, New York.

So wrote Germano Celant in 1967 in his post-exhibition manifesto, Arte Povera: Notes for a Guerilla War.  Celant, now the Artistic Director of the Fondazione Prada in (Milan), linked the Italian neo-avant-gardes conceptually, rather than with or to any formal or stylistic bases.  Celant saw the artists common desire to destroy "the dichotomy between art and life" with process-oriented practices.

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A Review of Irina Korina at Garage Museum of Contemporary Art, Moscow

We've all visited the leading art spaces in Paris, London and New York for our fix of contemporary art; yet not many have travelled as far as Moscow. But now, with the forward-thinking Garage, our attention is turning to see what the Russian capital has to offer. With five exhibitions, a renowned magazine, cutting-edge book shop, and open-air cinema, Garage has evolved into a creative hub like no other. 

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A Review of the Goss Brothers in Shoreditch, London

Writing in a present day 30° degrees London, lulled by the tropical chirping of now-local green parakeets, surrounded by issues of the National Geographic heralding the melting of the Antarctica ice caps, it is not hard to understand how the imagery evoked by Ballard captured the imagination of the Goss Brothers who recently launched a fashion line for Folk Clothing inspired by this prescient book.

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A Review of Wayne Thiebaud: 1962 to 2017 at White Cube in Mason's Yard, London

Long before #instafood, #foodporn or #foodart became Instagrammable sensations, American artist Wayne Thiebaud had made a profitable and lengthy career out of it. Melting ice-creams in wafer cones, perfectly poised cherries on cinnamon buns and swirling dollops of sugar icing were the rising stars of his early compositions. You could say that Thiebaud paved the way for a modern obsession with beautiful food. 

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A Review of Further Away at Copeland Gallery, London

Where is Further Away? How far can our imagination carry us? To Cuba, to a place of little sense, to the boundary between life and death? The ten artists featured in this exhibition at Copeland Gallery do precisely that: they transport the viewer somewhere they have not ventured yet. Curated by India Dickinson, the journey begins with Ivo Morrison’s indigo fantasies, where oneiric worlds are shrouded in mystery and nostalgia.

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A Review of Joel Shapiro at Pace Gallery, London

Playful shapes in primary colours seem to defy gravity at Pace London this June. Joel Shapiro’s whimsically hung sculptures inaugurate the artist’s first solo exhibition at the London space, where seven vibrant sculptures and a selection of works on paper make for a subtle yet refined overview of Shapiro’s recent output.

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A Review of Ry David Bradley: 21th Century at PM/AM Gallery, London

Founded in early 2015 by Patrick Barstow, PM/AM is a gallery space, which aims to challenge the existing models that we use to interact with art. By introducing 3D glasses and ocular manipulation, Ry Bradley’s exhibition: 21th Century does just that. Juxtaposing the white and grey setting are Bradley’s kaleidoscopic pieces. French impressionism immediately springs to mind, as the paintings are reminiscent of Monet’s Water Lilies.

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