An Interview with the Artist Lina Iris Viktor in her New York Space Atelier LVXIX.
The conceptual artist Lina Iris Viktor works between the real and imagined in her spaces across London, Geneva and New York. We first met in her studio off Wall Street, which is somewhere between a laboratory and an ancient Egyptian tomb. Adhering to her strict colour palette of gold, blue, black and white, the interiors are sublime. As both a private gallery and studio, the white half of Atelier LVXIX is a homage to the purist minimalism of Brancusi’s Paris-based atelier. In a stolen hour before my flight home to London, we drank green matcha tea together and discussed her plans to abandon New York for a new life in Japan. Although she’s a free spirit and an adventurer at heart she has both a work ethic and discipline, which defines her as a contemporary artist to watch.
Following the success of the exhibition Yellow Sun: The New Contemporaries in Lagos, Nigeria and her stand at the Scope Fair at Art Basel, Miami it’s unsurprising that Lina’s exquisite work has captivated a broad spectrum of collectors, journalists and galleries. Born to Liberian parents in London, both the distant travels of her youth and her study of film in New York are reflected in her exotic work. Experimenting with photography, sculpture, performance art and painting, Lina has also exhibited her work alongside revered artists like Andy Warhol and Jean-Michel Basquiat.
After just an hour with Lina, it soon became clear just how philosophical and methodical her creative process is. Using basic geometric forms in a multitude of repetitive patterns and sizes, Lina seeks to use the empirical to refer to another level of consciousness. As we spoke, she explained how her work is, "governed by a purist color palette, my work considers the natural laws, hermetic philosophies, mathematic and scientific principles, and seeks to instill a divine order to all around me." I look forward to seeing the trailblazer’s homage to Alexander Lee McQueen in Visionaire’s 25th Anniversary project in April 2016.
Was there a pivotal moment when you decided to follow your passion?
Yes, but it was more of a time period. The best way to learn about yourself is through trial and error. There were a great deal of trials and I made a number of errors. I look at them as blessings in disguise that led me to realize what I was no longer going to do or willing to put up with. And to this day I refuse to do anything that doesn’t fulfill, challenge, or make me happy.
What piece of your work would you like to be remembered for?
It's too early for me to know, but I hope that it will have something to do with the work I plan to do in this space.
Can you tell us about the process behind the making of your work?
It’s very concept driven and there are different ideas ingrained in my work so I tend to spend a good few months just researching and aligning my head with what I want to create. Then I prepare the base photographic portrait before putting together the puzzle. I compose the pattern schematic around the portrait before gilding and painting.
Why have you made Atelier LVXIX into both a private gallery and studio space?
Experience. I like bringing people into my world within the space-time continuum and create a home for my vision. I wanted to have a private space dedicated to the showing of both unfinished and completed work where my collaborators and collectors can come to view it.
If you could be born in another period of history, when would it be?
I quite like the present, because I am exactly where I need to be at the perfect time in history. We are in a shift - it’s very powerful.
How would you define beauty in 140 characters or less?
Beauty is a mathematical equation manifested into the physical. It is divine proportion that we regard as the golden ratio at work.
Do you have a favourite book, film or painting, which inspires you?
I don’t have a 'go-to' for inspiration, because I believe it comes through the process of working - and in that process comes illumination or a spark of “something’ that aligns with the search. Thus, inspiration can be anything. As for films or rather directors I love, there are both Tarsem Singh & Wong Kar Wai. I read books about the sacred sciences, astrophysics, and spirituality. Christopher Nolan’s Interstellar was also genius and groundbreaking.
What is your greatest indulgence in life?
Following my heart and intuition without question. Most people don’t trust themselves enough. It is a luxury.
What fictional character from literature or film would you like to meet?
Maybe Miss Havisham from Great Expectations. She seems crazy enough to be entertaining.
Do you believe that true creative expression can exist in the digital world?
Of course, because it would be foolish for creatives not to use the contemporary tools at their disposal. If Da Vinci had a computer I'm quite sure he would use it and still be Da Vinci.
As an artist of Liberian descent, what is your relationship with Africa?
This year marks a Renaissance in my national identity as I take my work to Africa. I just did a show in Lagos and hope to exhibit in Cameroon and South Africa. I take the egalitarian view that I want to exhibit in cities like London and New York to stay relevant, but am equally interested in those unexpected places in Africa
What do you wish every child were taught?
To allow their imagination to run free past their childhood. That imagination is their greatest asset - it is what divides those who do from those who don’t.
Have you ever had a moment when you questioned your career entirely?
Everyday. I think it’s healthy. Until now the question has only ever propelled me forward down my path - it is a daily confirmation I am doing the right thing. If I decided I wanted to do something different tomorrow and I felt strongly enough about it - I would follow that path. As Socrates wrote - “The unexamined life is not worth living.”
What is your favourite museum or art gallery and why?
The Metropolitan in New York is currently my favourite museum, because i've been falling back in love with it’s extensive collection of Ancient Egyptian artifacts.
Who would you most like to collaborate with and why?
Stephen Hawking, because he is an artist at heart - as are all pioneering and inquisitive minds. Artists, architects, scientists, mathematicians, philosophers etc - we all create and explore from the same impulse. I really believe in taking art to different frontiers.
What is your daily routine when working?
Meditation, contemplation, execution.
What has been your most inspiring travel experience?
Morocco - it visually aligns with my soul.
What advice would you give to a young person following in your footsteps?
My advice is less about following in my footsteps and more about life. Follow your heart, trust yourself and don't care too much about what anyone else thinks. Surround yourself with like minds - those that accept your crazy ideas and challenge you. Find mentors - those that know more than you and can guide you. Don’t question your urges - don’t follow all of them, but definitely rid yourself of judgement.
As an international artist where do you hope your travels will take you next?
I’m both an artist and traveller and this year I plan to spend a lot of time on the continent in Egypt, South Africa, Cameroon and Dakar, but I’ll also be in Costa Rica in February and am excited to be in South America for a while. Although, eventually I’d like to expand my studio to Kyoto, Japan as their culture fascinates me.
Why do you love what you do?
It allows me to live in my truth and that is ultimate freedom.
Studio visits by appointment. For appointments please contact: email@example.com
Read our interview with her in SUITCASE magazine.
Written by Flora Alexandra Ogilvy, founder of Arteviste.com