Where is Further Away? How far can our imagination carry us? To Cuba, to a place of little sense, to the boundary between life and death? The ten artists featured in this exhibition at Copeland Gallery do precisely that: they transport the viewer somewhere they have not ventured yet. Curated by India Dickinson, the journey begins with Ivo Morrison’s indigo fantasies, where oneiric worlds are shrouded in mystery and nostalgia.
Playful shapes in primary colours seem to defy gravity at Pace London this June. Joel Shapiro’s whimsically hung sculptures inaugurate the artist’s first solo exhibition at the London space, where seven vibrant sculptures and a selection of works on paper make for a subtle yet refined overview of Shapiro’s recent output.
Founded in early 2015 by Patrick Barstow, PM/AM is a gallery space, which aims to challenge the existing models that we use to interact with art. By introducing 3D glasses and ocular manipulation, Ry Bradley’s exhibition: 21th Century does just that. Juxtaposing the white and grey setting are Bradley’s kaleidoscopic pieces. French impressionism immediately springs to mind, as the paintings are reminiscent of Monet’s Water Lilies.
As the art world elite concluded their annual Photo London gathering at Somerset House, Peckham was just warming up by presenting a festival of exhibitions that encompassed a network of Peckham-based artists, galleries and curators. Founded by Vivienne Gamble and Jo Dennis, Peckham 24, is a 24-hour celebration of contemporary photography. The festival is spread across a variety of locations in Peckham, including The Bussey Building, Copeland Park and other local galleries. Far from the exclusivity and structure of Somerset House, the non-ticketed festival instead welcomes a wide audience to see a diverse selection of photography.
Sang Woo Kim is an artist and model whose current body of work focuses on the challenges of identity as he balances the duality of his creative professions with the realities of being a Korean immigrant brought up in London. Although modelling for international brands such as Burberry, Diesel, DKNY and Dolce & Gabanna supported his studies at Goldsmiths, and Central St Martins, he's often found himself to be taken less seriously as an artist as a result.
Stepping into the polished concrete, white walled interior of the Chelsea’s Cassina Projects, one wouldn’t expect these to be the words echoing in their mind upon entering the gallery space. And yet, Junichiro Tanizaki’s musings on Japanese aesthetics feel particularly apt to describe the works featured in this exhibition curated by ARTUNER, which borrows its title from the writer’s most famous essay, ‘In Praise of Shadows’.
"I’m not going to make an apology for the length. I don’t even mind if people go to the toilet in the middle of it. It’s fine’ declared American Honey's director Andrea Arnold in an interview with Vogue magazine. It's true, you could walk out for five minutes and not be any worse off. There isn’t really a plot, but far from thinking was too long, I never wanted to finish.
Frieze New York is an annual event, which attracts a broad spectrum of collectors, artists and gallerists to make the pilgrimage over the East River and discover an impressive selection of both modern and contemporary art. Across just four days, their hugely diverse audience are exposed to a plethora of cutting-edge works exhibited by more than 200 international galleries as well as a developed program of art talks, lectures and curator-led tours.
Young curator Antonia Marsh’s group show A _______ is A ______ currently on show at Golborne Gallery presents a seductive dystopian vision of everyday life. Although on the surface the small gallery may appear to be a complacent collection of works revelling in the mundane, there is a distinct punk spirit to be felt and a tangible yearning for something better than that which is.
With white-washed walls, large colour-splashed figurative canvases, beautifully-bound catalogues and a seriously cool London address, Timothy Taylor is a contemporary art collector’s dream space. Currently exhibiting Eddie Martinez’s second solo show, Cowboy Town, Timothy Taylor has, yet again, shot the lights out.The paintings are raw, bold and predominantly figurative.
White Rainbow gallery has united five artists’ explorations of the notion of weightlessness, displaying how artists reconfigure material to distort their physical properties, or so the press release claims. The room is mostly filled with sculptural forms, except for a few wall-mounted works by artist duo Ittah Yoda that hang quietly triumphant behind their neighbours who, despite all their efforts, only seem to prove the rule that weight is an aspect that simply cannot be altered.
David Uzochukwu is a self-taught, 18-year-old photographer based between Paris and Brussels. In recent years, he has progressed from self-portraiture to major collaborations shooting FKA Twigs for Nike as well as a series for Adobe Photoshop. Whilst shooting for publications such as Hunger Magazine, Dazed Digital, Wonderland Magazine and Vogue, David has always managed to preserve his creative integrity and strong narrative vision, especially across the fine art photography you’ll find in his portfolio.
“The cliche of the journey being the destination is partly true in this case,” opened Neville Wakefield at the inauguration of the Desert X biennial in Palm Springs. Lasting until April 30, Desert X brings together 14 artists investigating the broad cultural, social, and ecological impacts of the desert. Set across 40 square miles of the Coachella Valley, the works take viewers to nature preserves, A-frame motels, and underground survival shelters.
Across the board, there seems to be a pull towards painting as a medium both in artistic practice and art institutions. Abstract contemporary painting in particular is at the fore, promising material realness and meaning in today’s digital vacuity. London is currently scattered with painting exhibitions and Lamb Arts, a gallery which applies itself between London and Sao Paulo, appears to have followed within this trend.
The female body is a delicate, reactive and complex entity, there is no one way to approach or describe it. Touch Sensitive saw curator Cairo Clarke invite six women artists to explore the representation of the feminine exterior through a week of six individual exhibitions of performance art. Focusing on the sense of touch, Clarke created a discourse on the digitisation, politicisation and sexualisation of the body.
Christopher Page’s site-specific art work Exterior. (Morning.) currently occupies the East London exhibition space UNIT9 Gallery. Founded by Alex Flick, an artist in his own right, the space aims to provide an exhibition platform for emerging artists who demonstrate a sense of ambition, promise and talent. Focusing on the mediums of installation, video, performance as well as conceptual works with a distinctive voice
The 78th Whitney Biennial is a potluck of strangers. Their connections are about place rather than relationships. They all know the hosts, but not each other. The Whitney Museum’s wall texts and publicity - the potluck’s menu - suggest that this year’s “artists test the limits of time worn structures and protocols, claim space for direct experience and personal agency, and create alternate zones or worlds. Some spotlight particular social issues, such as financial debt, violence, or access to equal opportunities
Over the years, Art Rotterdam has gained a reputation among European contemporary art fairs for being one of the major art events for galleries, dealers, artists and collectors. Earlier this year, the 18th edition gathered more than 100 galleries in 4 curated sections including the Prospect and Concept sections, all hosted under the roof of the Van Nelle Factory. Inevitably, Art Rotterdam is also an opportunity for the city as a whole to become a temporary cluster for the arts.
David Hockney: 60 years of work at London’s Tate Britain is a beautifully-curated retrospective of the artist’s multi-faceted, multi-dimensional oeuvre. Populated with some of Hockney’s most iconic paintings from across the decades, this chronological overview pinpoints the defining moments in his prolific career. His use of colour, his play with artifice and his experimental use of mediums are explored in great depth by the exhibition's team of curators Chris Stephens, Andrew Wilson and Helen Little.