A Review of True Colours at Newport Street Gallery, London

Emerging artists Boo Saville, Helen Beard and Sadie Laska have adorned the infinite white walls of Newport Street Gallery with their playful, but progressive explorations of colour. And what an impact these evocative paintings make. Upon entering the gallery, you are met by force with a provocative series of Helen Beard’s paintings.

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An Interview with Campbell-Rey at Electric House, London

Duncan Campbell and Charlotte Rey are a creative consultancy and design partnership with an edge. Over the past few years, the Swedish-Scottish duo have successfully inspired, innovated and surprised us in pursuit of beauty and elegance. They met whilst editing the biannual in-house publication Acne Paper published by the Swedish brand and have since worked together across the fields of creative direction, branding, curation and design.

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A Review of Rose Wylie: Lolita's House at David Zwirner, London

Rose Wylie is everywhere! Represented by blue-chip gallery David Zwirner, the 83-year-old painter continues to receive awards and embark on museum shows met with critical acclaim. Alongside female artists like Phyllida Barlow representing Britain at the last Venice Biennale at the age of 73, or Lubaina Himid's historic Turner Prize win last year, Wylie's moment in the spotlight is long overdue. 

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A Review of Rio Azul by Beatriz Milhazes at White Cube Bermondsey, London

A sun-drenched Sunday afternoon in Bermondsey was the perfect setting to see White Cube’s new show, a large-scale exhibition of works by prominent Brazilian artist Beatriz Milhazes. Entering the stark white space, I felt almost as if I had been transported away to the exotic climes of Brazil - as if when I exited the glass doors I would step out onto the Copacabana. 

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A Review of Slippage at The Post_Institute, Brixton, London

The corpus of postmodern abstraction and contemporary gambits on show demonstrated a clear hypothesis: the increasingly discursive fabric of painting in the expanded field. Drawing from this open legacy is the inaugural show of The Post_Institute, Slippage: Performative Utterances in Painting, an exhibition of five artists which similarly educes the hermeneutics of painting and its increasingly heterogeneous vernacular.

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A Review of Eddie Peake at South Gallery White Cube Bermondsey, London

Once an exhibition cautions against nudity it feels more like a promise than a warning, but now that we are more difficult to shock, it seems that nudity needs a sense of purpose or joviality. Said warning appears upon entry to the South Gallery of White Cube Bermondsey and in light of Eddie Peake’s previous installations like Touch 2012, I imagined I would be in luck.

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A Review of Adventitious Encounters by Open Space Contemporary at Whiteleys, London

Walking into Whiteleys Shopping Centre, I was surprised by the setting of the Adventitious Encounters, an exhibition put on by the contemporary art platform Open Space Contemporary, which is based between London and Istanbul. However, I was eager to see it after a glance through the press release

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A Review of Ladybird, Directed by Greta Gerwig

Greta Gerwig’s directorial debut is a runaway success. Earning five major Oscar and Golden Globe nominations, Ladybird has been met with critical acclaim alongside indie competition such as Call Me by you Name. Known for headstrong roles in her partner Noah Baumbach’s films Francis Ha and Mistress America, Ladybird is Gerwig’s moment in the limelight - the first of many. 

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An Interview with Richie Culver at his Studio in Kensal Rise, London

British artist Richie Culver and I first met at his Bayswater studio, with the gentle thud of techno music reminding me that he’d recently returned from a tough couple of years in Berlin. A few years later, we're still in West London, but at his Kensal Rise space alongside Tim Noble and Sue Webster. I was met at the door by a soft-spoken Yorkshireman with arms decorated with the names of past lovers and dead friends.

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A Review of Mark Shand's Adventures and his Cabinet of Curiosities at Hauser & Wirth, London

‘Cabinet of Curiosities’ is a fitting name for the charity exhibition and auction, which welcomed the bright young things of London’s contemporary art world to Hauser & Wirth. As curated by Ayesha Shand and Davina Harbord, 29 photographs and 101 sculptures were commissioned from emerging artists. 

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An Interview with Painter Louis Thomas at his Studio in Paris, France

As ever, Louis' work caught my eye on Instagram. I was captivated by the intimacy, and decorative nature of his portraits of fellow artists, models and musicians as well as people brought in from the streets of Paris. Across his oeuvre, Louis uses plants and flowers to celebrate the characters of his subjects. His studio is filled with paintings as well as collections of books, herbal tea and dried flowers, which are organised by colour and texture.

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An Interview with Photographer Kate Bellm at her Studio in Deia, Mallorca

Photographer Kate Bellm is based between Mexico and Mallorca where she lives off-grid in the mountains. We were introduced by Lucinda Bellm, founder of Lamb Arts, during her psychedelic Night Sky Rising exhibition. The space's walls were lined with hypnotic landscapes and empowering nudes entwined with Kate's keepsakes. Of course, her photographs are wildly beautiful, but it's her surreal manipulation of colour and texture that makes you feel as if you're walking in a dream.

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An Interview with Romana Londi in her Studio in Shoreditch, London

Italian-Irish artist Romana Londi and I met during the group exhibition Skinscapes curated by Tatiana Cheneviere and Guilia Vandelli at Unit 1 Gallery Workshop. We gave a talk with artist Camilla Emson on the importance of touch, and I visited her studio in preparation for it. Initially my interest lay in the involvement of her practice with technology and the way in which she plays with your senses. 

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A Review of From the Vapor of Gasoline at White Cube, Mason's Yard, London

White Cube has asserted itself as a cultural nexus in St James’, London, for the time being, with blue chip rigour. The freestanding stronghold of the Mason’s Yard site declares its autonomy and 'From the Vapor of Gasoline' chimes into a chorus of liberal declarations whilst showcasing the best it has to offer; these are market darlings with museum-grade nous.

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